« June 2009 | Main | August 2009 »

July 29, 2009

Even more inspiration

I seem to be crushing on a lot of crochet patterns lately. Wonder why that is? I just discovered the delightfully named blog Hook and I, with quite a few really creative and beautiful designs. In particular, I love the Half-crazy sweater; a stunning use for Sea Silk, love those widely belled sleeves.

The Ribs and Mesh sweater is a beautiful illustration of my usual advice to use a beaded yarn as an accent in a garment, rather than going for all-over sparkle. It's cheaper this way of course, but besides that I really think it gives a much better effect. This is done in wool but Artyarns beaded silk would be a perfect substitute for the glitzy bit; I leave it to you as to what you might use for the plain part.

July 27, 2009

Comfort knitting

We all know that knitters are good people. And that knitting is a wonderful way to show love and compassion for others. And that knitting brings us together, and that knitters together sometimes do quite wonderful things.

This is one of those things.

The Knitter magazine has chosen Macmillan Cancer Support as its charity of the year, and is asking knitters to make "comfort blankets" for the cause. That is, get together with your fibre friends to create a 40-square blanket, to be given to someone living with cancer and in fuel poverty. Think about that... someone who is sick, and feeling the cold more than usual, but unable to turn up the heat. Ouch.

The magazine is publishing patterns for the squares (each of which should measure 20cm per side) from stars like Debbie Bliss, Alice Starmore et al, so it'll certainly be fun knitting and will create a beautiful result.

So here is what knitters need to do to take part in the Macmillan Comfort Blanket:

1. Download patterns from
2. Register for a coffee morning or donate online at
or call 0845 602 1246 quoting NA3
3. Knit squares with your knitting group
4. Take 40 beautiful squares and sew together into a Comfort Blanket
5. Send your Comfort Blanket to: The Knitter Macmillan Comfort Blanket, Future Publishing Ltd, 30 Monmouth Street, Bath, BA1 2BW or drop it off with us at The Knitting and Stitching Show at Alexander Palace.

They're aiming for 100 blankets. Please spread the word.

July 25, 2009

Year of natural fibres: Silk

Silk! Mmmm... savour the word. Doesn't it conjure up images of exoticism and decadence? The colour, the sheen, the drape, the incredible softness... When I first found out I could actually knit with the stuff, I was in heaven.

jane-morris-blue-silk.jpg

Silk knitting yarn rejoices in those same feature that make silk fabric so luxurious: rich colour saturation, shimmery texture, a handle that is - well - silky. There's simply no other word for it, and doesn't that speak volumes?

But you only have to think of a yarn like Rowan's Summer Tweed to know that not all silks are the same (though all are beautiful). Sure, they all come from the cocoon of the silk moth, but different types of silk can be distinguished by what the silkworms are fed, how the silk is harvested, how it is treated for spinning... and to make matters more complicated, the same kind of silk may be referred to by three different names!

The classic silk, the silk that defines silkiness, is mulberry silk. Or cultivated silk. Or Bombyx silk. See what I mean about the different names? It's cultivated (not wild harvested) from Bombyx silkworms, fed on mulberry leaves... clear as mud! The silkworms extrude one looooong fibre as they wrap themselves up in their cocoon; to harvest that incredibly long fibre, the worms are stifled, and the fibre is wound off - with incredible care - intact. Consider how fine that fibre is, and how hard it must be to find the end and wind it, and you start to understand why silk is a luxury product. The length of the fibre is valuable because it means the silk fabric or yarn that it makes is supremely shimmery, soft, and strong.

Wild silk (also called peace silk, cruelty-free silk, or ahimsa silk) is harvested from cocoons that have already served their biological purpose; the moths have escaped and left a hole in the cocoon. Which means the silk can't be reeled off in one unbroken thread, like mulberry silk; the shorter fibres naturally have implications for the texture of the resulting yarn or fabric. (By the way, people often call wild silk Tussah silk - named, like Bombyx, for the type of moth - but this is misleading; not all Tussah silk is wild farmed (or "cruelty-free"), and for that matter not all wild silk is Tussah.) Other special characteristics of wild silk are the colour - rather than white, the undyed silk is a golden colour, so of course it takes the dye rather differently; and the texture of the fibre is rougher, even without factoring in the shorter fibre length. This results in a yarn that sometimes appears quite crunchy or papery, rather than shimmery (depending on the exact worm; tussah silk is rougher than muga silk, for instance, but both are wild); but it still has that special glow, and is still amazingly soft - softer than it looks.

And then there's socalled "raw silk" - a bit of a misnomer. Raw silk is derived from short fibres left over from the process of spinning silk; like tussah silk, raw silk is somewhat papery, with low sheen and less brilliant colours, but its uneven texture has a special beauty of its own (as seen in Lantern Moon's needle cases, for instance).

What's it good for?
In knitting use, silk is closer to plant fibres than most animal fibres. It's inelastic and cool to the touch, but allows your skin to breathe, making it perfect for summer tops. Of course, with the distinctive silkiness of silk - that glow! those colours! - it also beg to be made into formalwear, be it a bridal shrug, a slinky evening sweater or even an heirloom shawl. If lace beckons, take heart; it blocks extremely well, and large.

Silk is also often used in blends, typically adding its shimmer to transform a plain wool into something ultrasoft and lustrous. Combined with cashmere it becomes the ultimate luxury fibre.

It's not an easy-care choice; silk will usually need to be handwashed. Moreover, silk and wool/silk blends often tend to pill, so they won't do for hardwearing sweaters. (The chance of pilling is reduced significantly if you choose a plied yarn.) Save it for special garments and it will make your heart sing.

Try it out!
Since I'm so very fond of silk, Purlescence's shelves are full of the stuff, giving you plenty of opportunity to try it out in different guises. Enter the code YONFSILK at checkout to receive 10% off the following.
Swiss Mountain Mulberry Tussah combines the shimmery and papery silks to stunning effect. Take a close look to see how the two textures affect the way the yarn takes the dye.
Artyarns' beaded silk adds extra glitz to pure silk - gilding the lily you might think, but the result is spectacular!
The Bias Shawl kit uses pure boucle silk; an unusual texture that adds crunch to super-glossy mulberry silk. Gorgeous.
Grande Godiva, like its finer weight cousin Lady Godiva, is a great example of wool mixed with silk: soft, sheeny and beautiful. Being a plied yarn this is resistant to pilling.
Somoko shows how just a touch of silk makes a sock yarn special, without flaunting its silkiness.
In Silk Rhapsody, you can see silk weaving a very special magic: it lifts an already fabulous superfine kid mohair into a whole other level of non-prickly, glowing gorgeousness.

Enjoy!

July 12, 2009

More inspiration

As if I haven't been putting enough Vinni's-related temptation in your way... issue 16 of Yarn Forward has a very cute little shoulder shawl designed in Serina. Purty!

serina.jpg

I also like the Zhu shawl - think it would be gorgeous in Suri Blue. Ooh just thinking about it makes me want to curl up in this shawl with a cup of cocoa and a roaring fire. And it's midsummer. I have a powerful imagination.

zhu.jpg

(If you can't easily get hold of Yarn Forward, the good news is that they do make the magazine available digitally. The bad news is that their digital service provider is currently, um, not so much of this world. But they're working on a new digital partnership, so fingers crossed it will be online again shortly.)

July 09, 2009

Crochet inspirations

Maybe it's because I've just received another big shipment of Vinni's gorgeous yarns (so if you're planning a sweater project, now's the time to stock up), but the latest Interweave Crochet seems to be jam packed with designs that would be *fabulous* in her yummy bamboos and cottons. Four designs that I'd actually love to make - I think that makes it my favourite IC issue yet! Here's what I'm dreaming of...

The Summer Petals cardigan is pretty, but in drapey, beautiful Serina it would have added fluidity. I picture it with a contrast trim to add definition, and maybe fastened with Gry clasps. Perhaps two shades of grey? Elegant!

I love the effect of the Aragon tunic - though to suit my figure I'd need to make some adjustments; widen the hip, and add some depth over the bust, to ensure that the strap sits below and not on top of my widest part! In Bambi, for sure; maybe in coral, with grey contrast.

The Rainbow rolls look fun. Probably a good way to use up scraps of Nikkim after I make all the zingy dishcloths and washcloths I'm planning.

And I can't quite believe I'm saying this, but I'm rather taken with the Pretty Pleats skirt. I've always been very firmly against knit or crocheted skirts and dresses; they just seem deeply unflattering. But this is a fantastic cut (as it were) and the fabric should hold its shape much better than any knit skirt. Again, using Serina would make it swingy and drapey, plus the sheen of it would make a strong statement. Colours! Sea green and turquoise green, with crimson trim? What do you think?

Ah well... that's the fantasy. In reality, I am plodding along with a huge queue of projects and can't see myself casting on anything new soon. But as it happens, one of those projects is a Babette blanket in - yup - Serina. (You might think I'm obsessed with this yarn. You might be right.)
IMG_0242

Just don't ask me why my granny squares always turn out like manta rays, rather than squares. If I knew that...